Pre-season: Swans in the Suburbs

The Cygnet and I have a packet of salt and vinegar chips apiece and are tracking the light towers down familiar suburban streets. We’re late arrivals after trapeze class. Neighbourhood cats have staked out the front porches to watch the passing parade. Creepers smell like sweet evening. Street parking is at a strange premium. This is our suburb.

The playground above Henson Park is full. Of kids in bare feet and adults in red and white. We slip through the high gates on Amy Street. The perfectly mown grass of the hill is yellowed by approaching sundown; it’s bespotted in rugs and kids and grown ups reclining on a Friday night and we follow the incline, down and onto the concourse to the wooden pews in schoolyard blue. One of the mums from our year is leaving for a girl’s night out with her first grader. She channels us to her husband and son on the boundary line.

And on the field, as remarkable or unremarkable as you like, boys in red and white striped jerseys, boys in blue and white striped jerseys, stars and kids and a yellow oval ball. The Swans have brought their final intra-club to the suburbs. There are Goodes and Reid. Jack, Parker, Kennedy, the Canadian. And a bunch of kids with numbers and hairdos we don’t know. Who’s who?

The Cygnet’s Under 6s coach, Bryce, is spruiking junior club raffle tickets behind us. He is one of the world’s great assemblages of atoms. We embrace with genuine warmth. He stays a while and we chat, about the club, players departed, academy pick ups, players returning. People still ask me what you’re up to he says. The Cygnet pretends he has not heard. This is the ground onto which we emptied the Under 6s when it was raining enough to close the official training oval. They got to know mud between these posts. Bryce recalls an overhead mark the Cygnet took at Concord in the rain.

Some of the blue and red men are chasing the ball and kicking it and … well I can’t see much link footy, or many solid marks, but there are familiar structures and faces and it feels good. The siren sounds and the men divide into their blue and red huddles, sit down on the field among the eskis and masseurs and Marrickville hops the fence for half-time kick to kick. There’s a veteran’s match at one end to boot! One stage and three shows. But only a couple of gentle clouds bear witness. Everyone else just wants a kick on home soil. Coach Bryce has to keep going. He’s promised himself a beer when he’s all sold out.

Can you long for something you have never known? As I climb into the George V Memorial Grandstand to unite with one of the O’Reilly boys, I’m feeling a deep phantom nostalgia for suburban footy—walking distance, the reveal of the ground at sundown, children frayed by exhaustion, rolling in twos down grassy hills, children with buns stuffed in their hands, tomato sauce pooling in the webbing between thumb and fingers. Wooden benches and plenty of spots. Magic hour among familiar faces with footy as rhythm section. I want a whole back catalogue of all that!

The planes rise like they always do over Marrickville on Friday evening.

Up in the King George V Memorial Stand, O’Reilly Max has a print out of the team lists. Monty Krochmal. Doug Hadden, George Hewett. Sounds like the country club! O’Reilly Max assures me that they’re the Sydney Uni fill-ins. But rookie Sean McLaren has the Samurai bun! Parker is busy. I keep seeing Jetta. And the new number 29. The captain wipes out Lloyd. I think we have five or six ruckmen. And Tippett’s in a black t-shirt on the concourse near a Dalmatian in a bow.

I see Bryce. An elderly woman calls him over and I realise I never bought tickets. I jump three rows and give him $10 for three of his finals stubs. Buy yourself a beer, Bryce. And as Rampe shanks a kick at the Sydenham Road end and a proportion of the team is bent in half, and as the shadows begin to claim the hill, the Cygnet says he’s hungry and we leave.

Sally, the junior club registrar is standing by the heritage gate, tongs in hand. We embrace with genuine warmth. Her son, the Cygnet’s former teammate, is in the Swans Academy this year. Can’t wait to say I drove him to games on winter mornings. I offer her a bag of second hand shorts and boots for the club, for Under 6s setting off down the road. The towers are lighting up, the footy is still going and I’m so happy I feel like crying.

We’re in the local pizza place waiting on our half/half when Sally calls. You’d better get back here. I think there’s an announcement you’re going to want to hear. She holds her phone to an indistinguishable noise. I think you’ve won the raffle. She saw them draw the winning ticket and there’s only one Mathilde in Marrickville.

Back through the Charlie Meader Memorial gates and I can see Sally. And Bryce. With a beer in hand. But there’s a race to cross. Got to get past Jack and Rampe and Grundy. Out of my way boys, I’ve won a jumper. Marty Mattner’s eating a salad roll on the side. Bryce and I embrace with genuine surprise and warmth. I claim my signed Swans guernsey and pose for a photo with the Newtown Swans Club President and the winning ticket seller. Heading back to the car, I’m waiting to get past Jetta, so close I could hold his beautiful arm awhile. But you don’t. ‘Cause he’s a guest at your place and it’s dinner time.

Pre-season: Swans Unlimited

I bought a new album today. It’s a precious thing, finding a disc you want to add to the shelf. Mainline is the work of Sydney hip hop collective ‘One Day’—four of Sydney’s leading hip hop lights working together so they could tour together. It’s intricately bold. Clever computer kids producing lyrical tunes with such deft rhythmical manoeuvres that solid musical ground is irrelevant. And I’ve always loved clever hip hop for the wordsmithery. Tonight, I’ve been cooking to the new album, just chopping and listening, seeing the poems come to view in thin air.

The swans have a new recruit. Someone there is making their own creative mark. Someone who has put their stamp on the pre-season like few others have.

I tuned into Swans TV some weeks ago to check on pre-season training. There comes a point in January when the mind starts to wander to Lakeside oval, to tanned bodies strapped into heart rate monitors, arms raised above heads, to skills and game plans and genteel Centennial park in the background—it’s a collective image that smacks of good potential.

In fact it was just inside the first week of January when Swans TV posted an interview with Marty Mattner talking about his new role as a development coach. Bless Marty, one of this Swan’s favourite players, we called him the general in the O’Reilly. That extended arm which urgently shunted players from side to side down back, the long left kick doing the rest. But he was a man of undifferentiated media offerings. Renown for the ‘Yeah, no …’ with which he began every answer and his quick delivery of stock standard phrases, Marty was a solid and tidy media performer.

Until January 6^th 2015, when an ambient sub-continental soundtrack took him in another direction. Accompanied by sitar and beats, Marty began his Swans TV analysis of the draftees and the integration process. It drifted in long sentences across happy footage and zoomed on stills … and so much focus pulling. The soundtrack was forcing Marty to talk in groove, his syntax following the build up of the track until the drum beat crescendoed somewhere around the one and a half minute mark and smoothed to a controlled summation of the importance of mentoring and getting things right from the start. I sat stunned at the end of the clip. Either Marty’s done a double degree in musicology and public speaking during the off season or Swans TV has a new editor.

The Community Camp golf day got a similar treatment. Buggies crossed in slow motion to the teasing pips of experimental electro. Skewed tee shots disappeared to the movement of an unlikely hint at melody. It was melancholy. And it was all slow motion—David Lynch on the Coffs Coast. Putt sequences were peppered with real-sound intrusions—Get in there! Has anyone heard Kansas sound genius Aaron Martin?

February’s intra club hit out had us back on the subcontinent. De-saturated images with upped blue highlights. No more slow motion. Real speed. Lots more coming into view—the coach prowling the back of the player pack and the finale, the focus pull along the boundary line, dissolving to black.

Only days later, the extended highlights—aka remix—was scored to rigorous rock. Full speed, full colour. A steadier frame. More of the locked-off shots, kicks completed. Something far more emphatic about this number. Some lovely climactic slow speed and then we were off again. All intensity and pressure and syncopation.

I’ve been feeling a bit gun shy about this change of Swans TV heart. It’s a bit sexy and very silly. It feels like an unfamiliar character who’s accidentally wandered centre stage when they should still be in the wings, a rookie accidentally elevated to the senior list before they’ve earned their stripes. It feels like a triumphing of brand and production and veneer over footy. I’m all for the collision of art and football; they are the two poles of my fascination planet. But this guy or gal is building a film clip portfolio with my Swans.

Ambient hip hop underscored today’s training highlights, gentle but sure beats with an introduced keyboard melody. There’s a story building at Swans TV. This is choreography not football. But just as I longed to listen to my new CD tonight, without visual distraction, so that I might make the visual poetry my own, I yearn to watch the boys create their artistry on the field, sans soundtrack, sans promotional lure.

I just replayed today’s training clip without sound. It’s Lars von Trier meets silent Buster Keaton. There’s vulnerability and effort. There’s isolation and co-ordination. There’s Marty doing the centre bounce. You can actually see the plain art of it.